The Rocky Horror Picture Show

Reviewed by Mike 

I don't like musicals, so watching this is probably a huge mistake on my part (**turns out, yes, it was), but I've never seen the entire movie- all I remember is Tim Curry looking like a freak- so I figured, what with all the popularity all of a sudden (Halloween is in a few days, so this flick is everywhere right now), why not give it a look see?

Aside from the musical aspect of the film, there was another thing that threw me off: Susan Sarandon. Susan Sarandon was Katherine Heigl before Katherine Heigl; Susan Sarandon is the original shitty actress.

Casting all judgment and any bias aside, I started The Rocky Horror Picture Show and here's what I thought:

The story, if you're not familiar with it already, follows Brad Majors (Barry Bostwick) and Janet Weiss (Sarandon), a newly engaged couple with quite the knack for singing. They must have been theater majors in college.

So the couple, fresh from a wedding, end up getting a flat tire on an old deserted road during a rain storm in the middle of the night. The only refuge from the storm is (what appears to be) an abandoned castle. The couple arrive and -hold on a minute!- there's a party going on! They're let in by the hunchbacked servant, Riff Raff (Richard O'Brien). Inside, everyone is singing and dancing and Bard and Janet are completely in "what the fuck?" mode.

I can't say I blame them for being wary... if I walked into a creepy mansion, and there was a party going on and everyone doing a strange "dance" and singing "Let's Do the Time Warp, Again," I would want to get the fuck out of there as quickly as possible too.

So the couple is backing out of the room and they literally stumble into Dr. Frank-N-Furter (Curry), who then goes into a song about how he's a transvestite from transsexual Transylvania. **I have to say right here, I can't imagine that this movie would fly today.  Maybe by 1975 standards, but if a film like this was made today, I doubt it would gain the popularity that Rocky Horror did. Although who knows, shit like Glee and American Idol are popular...

So the good doctor invites everyone up to his lab, where he unveils his creation: a mummy that turns out to be a totally ripped blond dude. After a quick song, through a wall comes Meatloaf! He's kind of a weird Elvis-type biker, but that doesn't matter because after his song he gets hacked to death by Curry.

...then it all gets pretty damn weird. There's regular sex, gay sex, lesbian sex... I can see why a program like Glee, which is aimed at teenage girls, would want to cover songs from this movie on its show. They'll probably cover the songs from Debbie Does Dallas next...

So after watching this flick, here are my thoughts: First off, who is this old guy smoking cigarettes that the film keeps cutting to? The narrator? The story doesn't call for a narrator- we can understand everything perfectly fine without him. They could have saved money and just cut him from the movie completely, maybe bump up the special effects or make-up or cast some bigger names instead.

Hey, here's something that's annoying: when movies have the credits- all of them- at the fucking beginning of the movie. There's a reason the theater empties out after the last scene of a film, and that's because no one gives a shit about who the casting consultants or production managers are. No one, safe for maybe the casting consultants or production managers themselves, but I am none of these- cut to the chase, movie.

The camera work was not very good. I don't know who was holding that thing, but it shook more than [insert Michael J. Fox joke here].

I understand that this film is a musical and the story needs to reflect that, but hardly any of the shit in this movie made sense. And remember, this is coming from the guy who watched The Human Centipede.

A few positives that came from this movie: the music and singing- all of the songs were skillfully performed, with Sarandon (that bitch) and Curry being, well, surprisingly good. There's a line in Curry's first song, something along the lines of "Don't get strung out, by the way I look/Don't judge a book by its cover." Well said, Curry... well said.

Curry was great, with his fantastic singing voice and he really did a good job making a memorable (albeit extremely strange and creepy) character out of Dr. Frank-N-Furter. Also, this movie helped to further my theory that Tim Curry loves to be in movies that take place in a creepy mansion- Rocky Horror and Clue!

When all is said and done, this was kind of a take on the classic Dr. Frankenstein story, except this time it was a musical and very, very sexual. And gay. Honestly, can anyone please explain to me why this has such a cult following? It had two, maybe three catchy songs, Curry played an interesting character, but other than that it was shit. I can understand why films like The Big Lebowski and Reservoir Dogs have a cult following, but this?

This movie was better than I thought it was going to be, but I have to admit that if I've seen a worse movie, I honestly can't remember it.

1 out of 5

SnapIt Screen Capture 3.7

Hey guys. Steve and I were approached by Digeus, Inc. to talk about their new product, the SnapIt Screen Capture 3.7 software. Here is some brief information about the product:

SnapIt is easy to use screen capture software which allows you to easily capture anything on the screen including windows, menus, full screen, rectangular regions, web pages and take shots of moving images. Think Windows Snipping Tool, but better.

It is a very convenient tool for bloggers or anyone involved in the computer/software/web design industry. An example of how it could be used in the world of 2guysonemovie would be when we write posts on the blog, sometimes we may need to capture and crop images from different sources - this is the tool we would use.

Some quick highlights on the product:

- Supports hotkeys, auto-saving, clipboard
- Automatically copies screenshots to the clipboard
- Tracks capture history, auto-saves captured images
- Saves files in BMP, GIF, JPEG, PNG and TIFF formats
- Auto-names captured images

Some functions I wish it had:

- Makes beer for you, all you need is a USB tap
- Works as a Cloner (drops of blood required: simply open CD drive for sample intake)
- Hate doing homework assignments? This shit will write your essays FOR you
- Turns any laptop in to a handgun (**This function does not work with Mac... sorry hipsters**)
- Hate Katherine Heigl? The 3.7 model will send her rude and sexist e-mails regarding her films

So if you're interested in any of the above, or want any more information on the product, check out Digeus and the SnapIt Screen Capture 3.7

Jackass 3D

Reviewed by Mike

First off, who doesn't like this series? Everyone likes to see people fall off of cars or get hit with something in the balls, and Jackass is full of that (I believe America's Funniest Home Videos proved the "nut shot" theory). From the television show to the films, Jackass is full of plenty of awkward moments, guaranteed laughs and a few scenes that leave you saying "oh, that's fucking gross."

Jackass 3D, the latest and greatest installment in the series, hit theaters last Friday and has already grossed over $50-million in its first weekend (Sorry new Katherine Heigl film), and grossed out just as many viewers along the way. The regular cast was back, including stars Johnny Knoxville, Steve-O, Chris Pontius and Bam Margera.

I won't go into too much detail about the film, but I will say this: I found myself saying (out loud, mind you) "oh God, what the fuck..." more times than I can remember while watching this movie. Some of the antics were just too much... but I'm not saying that is a bad thing.

Jackass 3D also had some humorous cameos from random actors/athletes like Sean William Scott, Tony Hawk, Rip Taylor, Weezer and defensive end for the Minnesota Vikings Jared Allen (this was one of the best sketches in the flick, with Knoxville getting absolutely fucking destroyed by this professional NFLer).

There wasn't really a skit (that I can remember at least) that I didn't laugh at, but I did find myself pretty grossed out by a few of them- if you saw the movie, the scene with Preston on the treadmill and Steve-O drinking the "Sweat-Cocktail" was absolutely foul. This is strange because I can usually watch gross stuff with no problem, but like I said, so of the stuff they did was absolutely ridiculous.

While I thought the 3D was a nice touch, and it was needed in some parts- especially the beginning sketch with all the random stuff flying around- I would have enjoyed this movie just as much in regular 2D. The 3D factor gave it that extra bump, but overall it wasn't really needed.

I can't remember who I was discussing the movie with, but they brought up a good point. After the television series and the first two movies, what else is there to do? The same old pranks and ridiculous stunts?

Well, yes. That's really all that there is left to do, but the Jackass crew does it in such an entertaining way that you don't realize that you're (essentially) watching the same thing you've seen over and over again. This movie was over the top in so many different ways, from the 3D cameras used to the super-slow-motion "Rocky" shots, to the intense gross out factor of the different puke, fart and shit sketches to some of the stunts themselves (Ehren getting his tooth pulled out by Bam's Lamborghini... enough said). It was a step in a new direction for the series, but they embraced the same stuff that made them popular in the first place, and that's impressive in its own right.

This film also contained what is probably the funniest sketch in the entire series, movie and television alike. If you've seen it, you'll know what I'm talking about, and if you haven't... I'll say it in three words: midget bar fight. I honestly couldn't stop laughing for maybe 10 minutes, it was that good.

The only real disappointment I had with the movie was the length, which I believe came in around 120 minutes- those two hours really flew by. I'm definitely going to buy the DVD when it comes out, as it will certainly have hours of great bonus footage and skits that never made it to the silver screen, a la Jackass 2.5.

Was I disappointed by this movie? Absolutely not. Would I go see it with my mom? Absolutely not. It's another great addition to the series and I hope to see another before the crew calls it quits.


4.5 out of 5

Pandorum

Reviewed by Mike

I had never heard of this particular film, which falls in the science-fiction/thriller/mystery category. I saw the movie poster and thought it looked pretty cool and the synopsis sounded interesting enough. Plus it has Dennis Quaid, the non-crazy Quiad brother, so I figured I'd give it a shot.

We start off with some giant scrolling screens in space, a la Star Wars. They inform us, by way of timelines, that the Earth built a satellite in order to find a new planet to inhabit due to immense overpopulation. The year is something like 2173, the planet's population is over 20 billion and everyone is fighting over food and water. Shit is getting out of hand and a solution needs to be found... fast.

**Since you probably won't watch this movie (Even though I enjoyed it and think everyone should, if not for the ridiculousness then to see Quaid go ape-shit), what follows is the complete plot to the film and my thought. This is one big spoiler alert**

Enter the giant space ship, Elysium. After a good shot of the outside, we cut to a scene of a dude, covered in tubes (reminds me of that one scene in The Matrix) inside of a strange chamber, freaking the fuck out. We go outside the chamber and see that it is labeled "Bower".

The guy, Bower (Ben Foster), busts out of the tube and tries to put together the pieces of just what the hell is going on. He starts peeling off what looks like his skin, but apparently... old skin? It's kind of like a snake shedding it's outer layer, which leads me to believe that he's be asleep in that chamber for a long time- so long that his dead skin cells just piled the fuck up and now he's got to go all snake-style on it.

He manages to find his locker and get dressed, only to discover that he has memory loss from extended hyper-sleep. Bingo! Next to wake up is Payton (Quaid), the lieutenant in this shit show- he too remembers nothing before being woken up. They get all cleaned up and head to the flight deck to try and contact the other crew members, but no one is around- a third chamber with "Cooper" on it is empty.

After, I don't know, five minutes of waiting around, Payton decides to send Bower up into the air ducts to try and find a way to the rest of the ship- the power keeps fluctuating and the doors refuse to open. So Bower's in the vent, complaining like an asshole, and he ends up making a wrong turn and falling down a shaft (that's what she said?). He ends up finding the dead body of Cooper, which is a complete corpse at this point. It's right around here where Payton thinks they've been asleep for 8 years, meaning Cooper could have been dead for a long time.

Suddenly, the two lose contact with each other. Bower ends up running into a girl, who attacks him and steals all of his shit. She bails and he's surrounded by a strange noise which is apparently generated by alien creatures... YEP! Holy SHIT! Did you fucking see that guy!? Haha he's like a deformed-midget-mutant-alien mix.

We then see, by way of flashbacks, that Bower and Payton are "pioneers" being sent to a new planet that has the capability to support life. Bower starts freaking out (what is it with this guy?) that his wife is on board (not confirmed yet) and he has to go save her and the rest of the passengers. Personally, I'm thinking the mutants got her, but we'll have to wait and see.

Next we see a pretty cool flashback of a different ship, one where a crew member experienced "pandorum". He went nuts due to a reaction from the hyper-sleep and got all paranoid, thinking that his ship was cursed. So he did the only logical thing a crazy person would do: launched all of the people that were in hyper-sleep (5,000 of them) off the ship and into space, where they floated away forever. What a prick.

Bower stumbles across another survivor, but he is quickly killed by the mutant creatures. The freaks begin to chase B-sauce, but at the last second he is saved by a spear-wielding Asian guy named Manh (Cung Le). The pair escape, only to run into that crazy bitch from earlier, who turns out to be a good guy. The girl, Nadia (Antje Traue), informs Bower that the ship was like Noah's Ark, carrying all plants and animal types and a ton of individuals who were to populate/inhabit the new planet.

Meanwhile, Dennis Quaid is FREAKING OUT. I don't want to call it this early, but I think we have another case of pandorum on our hands. He ends up finding a guy, Gallo (Cam Gigandet) up in the rafters... but I don't know, I think it's a hallucination and Quaid is just a lunatic.

We next see a few pretty cool fight scenes and soon discover that it's pretty God damn difficult to kill the freaks. The three survivors beat, stabbed and punched the shit out of this thing and still only barely killed it. The trio run into another guy who explains to them that the Earth was destroyed and the people on the ship, all current parties included, are the last humans in existence (we also see flashes over to Quaid and his friend, who is telling him the same thing).

It also turns out that one of the captains of the ship (GALLO!) went fucking nuts and just started killing everyone (there was some rape involved as well apparently), and awakened the crew, banishing most to the hold of the ship where they were forced to eat each other in order to survive. Every passenger was given some sort of shot while in hyper-sleep, making it easier for them to adapt to then new planet once they got there. Instead, the shot made the crew adapt to the ship and, well, become cannibal mutants who fed off of other sleeping passengers.

After this weird story and a few close encounters with the mutants, Bower makes his way to the reactor and re-starts it, thus saving the ship from imminent doom/total power failure. Bower starts making his way back to the bridge to see Payton, but he finally regains his memories and realizes that Payton is really Gallo. Payton too realizes this and we see that Gallo was just a hallucination brought on by the pandorum- so Quiad is the real killer here! Called it...

Bower and Quaid start fighting, with each trying to convince the other that they are suffering from pandorum (in actuality, they both are). Nadia, meanwhile, is able to open the emergency shutters on the windows in the bridge, revealing blackness. Suddenly a bunch of fish swim by and they realize that the ship has crash landed on the planet and they are in the water. A readout display on one of the computers reveals that they have been in hyper-sleep for 923 years!

Bower does the logical thing here and smashes the window, flooding the ship. He and Nadia make it to an escape pod and jettison out of the ship, along with the rest of the surviving individuals in their pods- the ship does this automatically upon the breaking of the window.

Everyone makes it to the surface and we see a gigantic ship in the water and a beach not too far away. There are a little over 1,000 survivors to start the new world. Thank God, it's over.

For the record, I polished off a decent amount of beer for the viewing of this movie, and it was truly needed.

This flick certainly reminded me of Alien, in terms of the vastness of the ship and utter lack of people on board- don't get me wrong here, this is where the comparison ends. There is a lot of shadow use and the film is pretty dark (literally, there isn't much light)- this adds to the creepy effect.

There were some more positive aspects of the film, some being: the sets were pretty cool, truly making the viewer believe that they are on a giant spaceship, devoid of life except for the main characters and the mutants. The mutants looked pretty cool and the gore was top notch- real bloody and gross. The fight scenes were alright, fast but a bit forced and scripted. The character development was cool and I liked the twist of Quaid really being Gallo.

Overall, it was pretty bad but I don't regret watching it. I feel the more interesting story here would be what happens once the survivors make it to land and start rebuilding their civilization.

3 out of 5

Star Trek

Reviewed by Mike

"Space... the final frontier. These are the voyages of the star-ship 'Enterprise'. Her on-going mission: to explore strange, new worlds, to seek out new life forms and new civilizations, to boldly go where no one has gone before."

I was going to watch Jackie Chan's First Strike tonight, but I only got through the first 15 minutes before I realized I didn't know what the fuck was going on. The dubbing wasn't what threw me off- I truly had no clue what was happening. It wasn't until later that I found out (thanks, Wikipedia) that this flick is the fourth installment in Chan's police story series. I'll pass on this one for now...

I decided to hop on Netflix and see what I could find- it came down to Sphere (Dustin Hoffman, Samuel L. Jackson, Sharon Stone) and the latest Star Trek film. While Sphere is a great movie, I've seen it too many times to count. I passed on the new Star Trek when it hit theaters, but I've heard good things; the choice was obvious.

I'm a Star Wars fan through and through (the original trilogy, at least), but I do enjoy Star Trek. I've seen all the previous Star Trek films and a few episodes of the show when it airs now and again on SyFy, but that's mostly it. So when I watched the latest installment in the film series, I was going on word-of-mouth more than anything. Here's what I thought...

This movie was fucking awesome.

The beginning was everything that I enjoyed from previous films in the series: explosions and an epic space battle. We start off with a ship, the USS Kelvin, that is under attack from an unknown, gigantic space cruiser that appears to be half hidden by a God damn lightning storm. After the attacking vessel demands to see the captain of the USS Kelvin, some random guy gets put in command. That random guy? George Kirk, James T. Kirk's father.

We see the previous captain head over to the enemy ship and get questioned about some guy named Spock- here we get a few hints that this ship is from the future. The captain of the enemy ship pulls out a ridiculous looking trident weapon (Poseidon would get a chubb if he saw this thing) and skewer the captain with it. Meanwhile back on the USS Kelvin, Kirk (Chris Hemsworth, who we'll soon see play mother fucking Thor) is busy evacuating the ship and saving everyone's life- he's a bit late on the whole evacuation though, and a ton of people bite the dust by way of laser beams and getting sucked into the void of space via holes in the ships hull.

Two of the people that make it out of the doomed ship are a pregnant Wionna Kirk (Jennifer Morrison) and her child, Jim. She gives birth to JTK on the escape shuttle and so a legend is born.

This time around, Kirk isn't played by the man we all know and love, Canadian-born actor of stage and screen William Shatner. Chris Pine is brought in for the portrayal as the younger version of the soon to be spaceship captain- a man who, in this flick, is young, reckless and, well, pretty bad-ass (he's all about bar fights, grabbing the titties and hardcore boozing).

After a great scene filled with bar fights, titty grabbing and boozing (it's his M.O.), Kirk has an eye-opening conversation with Captain Christopher Pike (Bruce Greenwood), who persuades him to do something with his life and join the Starfleet Academy. To be honest, this seems like a drunken whim that Kirk will regret once he sobers up (Lord knows I've done this more than I can remember), but he agrees to it and heads to the dock the next morning for "boot camp". We are then introduced to Leonard McCoy (Karl Urban), a nervous nelly who is worried about everything from his blood boiling to his eye's bleeding.

Fast-forward three years to Krik banging a green chick. In the coming scenes, we see that he and McCoy have become friends and Kirk confides in his best buddy that he is up to take the Kobayashi Maru test for a third time. The test, which was created to test the mettle of any possible star-ship captains or crew members,  is pretty much impassable. Kirk is ousted as a cheat by the creator of the test, Spock (Zachary Quinto), and is forced to explain himself in front of the academic board at the Starfleet Academy.

Before anything can be determined, a distress call comes in from Planet Vulcan and all the cadets are sent to the ship bay to get sent out to help the cause. Spock, McCoy, and Kirk all board a ship, which turns out to be the newly built USS Enterprise. There we meet back up with Captain Pike, the black girl from the bar fight scene (who turns out to be Uhura, played by Zoe Saldana), Hikaru Sulu (John Cho) and Pavel Chekov (Anton Yelchin). When they arrive at Vulcan, shit is popping OFF. Everything is blown up and all communication with the planet is being blocked by the same lightning storm/ship from the beginning of the film.

It turns out the Romulans are behind it all and, once again, demand to see the ships captain... sorry Capt. Pike, hope you like tridents to the gut. Meanwhile, Spock is in charge of the ship and Sulu, Kirk and some jackass named Olsen get sent to unblock whatever it is that is messing with the transmission between planet and space. Olsen gets killed in a pretty ridiculous way, which any Star Trek fan could have seen coming: dangerous mission and two main characters and a random dude get sent in- we all know who isn't walking away from this one...

The blocker, which turns out to be a giant drill, gets disabled, Kirk and Sulu get beamed back to the Enterprise in the nick of time, and Vulcan is demolished thanks to a bomb that gets sent to the center of the planet via the giant hole the drill dug. The bomb is full of red matter, which creates a black hole upon detonation (it turns out that the lightning we've been seeing are actually these black holes).

Spock tried to save his family from the ensuing crisis by leaving the ship, but he's only able to save a handful of people, including his father (sorry momma Spock, you're done!). Out of 6 billion people on Vulcan, only about ten thousand have made it; Spock is fucking mad.

Next we see Captain Pike get questioned by the same mad captain from earlier, Captain Nero (Eric Bana), and, while he's spared the trident, he is force-fed a bug that while latch onto his brain stem and make him give up Federation secrets- give me the trident any day.

We find out here that Nero has a vendetta against Spock and the Federation, whom he blames for the destruction of his planet, Romulan. Kirk is sent to a random snow planet after he gets into a fight with acting captain Spock. We also learn (from Spock Prime played by none other than Leonard Nimoy) that an older Spock promised to save Romulan after a star exploded by making a black hole using the red matter. Unfortunately, Spock Prime is unable to fulfill his promise and Nero decides that he is going to capture him, send him to the planet with the best view of Vulcan, and destroy that shit. Take that, Spock Prime.

Kirk, still on the random snow planet, runs into Scotty (Simon Pegg) who helps Kirk and himself beam back to the Enterprise. There, Kirk gets Spock to give up his captain-ship by making him mad, thus "compromising his ability to command." The rest of the flick is basically Kirk taking command and saving the fucking day, per usual.

I really enjoyed this film and I regret not seeing it in theaters. The special effects were fantastic. There is also plenty to go around for Star Trek nerds, from hints to the old films and television series, to the music in the credits (it's the theme from the series). It's also chock full of the lines everyone knows from the show, like "Live long and prosper" to "Dammit, man... I'm a doctor not a physicist!" We even get to see the Vulcan nerve pinch.

I'd have to go back and watch the previous ten films, but I must say this has been my favorite one in the series. I thought Chris Pine did an awesome job portraying a younger, rougher Kirk. The cast was fantastic, the special effects were top notch, the storyline, while confusing in some parts, was interesting and full of action. I, along with the rest of Star Trek Nation, am really hoping for another film with this cast.


4 out of 5

Sin City

Reviewed By Steve Kochems

I don't think people really believe me when I tell them some of the assignments I get in school. I'm doing a philosophy project out of Lego's. I got to play ping pong with my favorite author last month. And last week I had to watch Sin City. School is tough.

I honestly tried to not like this movie. And it’s the fault of fan boys who praise it as the God of all movies, but they probably don’t even understand why it’s good; It is very good. This is in part to the fact that the author of the graphic novel, Frank Miller, was brought on as co-director. He and Robert Rodriguez (Machete, Planet Terror) used the novel as a storyboard and adapt it nearly shot-for-shot. So in turn, the graphic novel is probably quite good. But there are things out of the ordinary at work in this story that make it a refreshing film to watch.

First off, it breaks the traditional plot structure that a film will use and replaces it with two mini stories and another framed around those two. Marv (Mickey Rourke), a brute, Dwight (Clive Owen), a crafty assassin, and Hartigan (Bruce Willis), a gunned down cop, all get their own little story and each is paired with an equally strong female, which I’ll get to in a minute. I noticed that each of their journeys that we see is driven by a simple motive evoked by some dick character. Marv is fueled by revenge, Dwight seeks to maintain independence for the girls of Sin City, and Hartigan is driven by love in its purest form. While the stories don’t completely intertwine, they each stand on their own with subtle hints at one another. The best use of this is when we get a quick shot of Marv at the end of the film when following Hartigan. It might be the best shot of the film because it says so much with so little, Marv being driven too far by his need to avenge a lover certainly deserves what he gets at the finale of his story, but when we see him later it’s before any of that happens. And even though we know his eventual fate, at that point he is just sitting in the bar having a drink with a smile on his face.

This is certainly the best adaptation of a comic or graphic novel because of how literally it is translated from the page. The cinematography is an outstanding representation of Miller’s novel. From the slight additions of color to the primarily black and white setting (clear representation of the polarized good and evil of the narrative) to the artistic contrast, most notably in Hartigan’s final scene, of each shot, Sin City really blew me away with its look alone.

Now, in a film where most of the women are dancers or prostitutes, I think that it has some of the strongest representations of females. Jessica Alba’s innocent Nancy grows before us from an innocent young girl to a strong woman that endures some of the worst ordeals one can imagine, but she does them without yielding anything to her gruesome captor. Shellie (Brittany Murphy) and Wendy (Jamie King) both show the rough side in what little screen time they get, but the big gun on the feminine side is Gail (Rosario Dawson). The fearless leader of Old City prostitutes, she and her girls slice and shoot anyone who crosses them. So while it appears to be a film primarily about the journeys of three men, it is through the women of Sin City that the stories move forward and each male is able to succeed.

As much as I wanted to hate this film, I really loved it. That’s tough to do because I’m awfully stubborn about that stuff, but it really earned it. It has three great stories presented beautifully and isn’t afraid to step on any toes. Certainly all the characters that die deserve to, though some of them are satisfied if that needs to be their end. Overall, a real quality film.

5 out of 5